The rise of a talented pianist : Johnny Hachem: Johnny Hachem is a Switzerland based composer and pianist, who was born in Lebanon to parents of musical backgrounds. His father played Violin while his mother had a great talent for Piano. He developed an impeccable ear refined over time listening carefully to his mom’s music. He grew up surrounded by sounds, music sheets as well chords which served an important role during his childhood years due to war-torn country’s complicated politics. However, whenever fire ceased he would play piano left handed even if it meant practicing alone! Find extra information on Johnny Hachem.
As music theory, can you explain for other artists why it is advantageous to discover classical chord progressions and harmonies and apply them into any genre? Johnny Hachem: Of course, it’s advantageous to discover classical chord progressions and harmonies because they are the basic of almost all the music genres or let’s say they will enrich their musical thoughts even if they won’t be used the classical school way they can affect them unconsciously. It’s well needed to study all these things but at the end, when you compose, you must not to be making just a harmony exercise: you should really have the talent to add your own thoughts…
While sharing his experiences, Johnny revealed, “My mom used to play the piano while my dad played the violin. They were my biggest influence. I remember very well how touching it was to hear them play together when I was a child.” Besides his parents, other renowned names in the industry have deeply impacted him, including Richard Wagner and John Williams. “Richard’s music affected me a lot when I was young, and it used to take me to another world. I felt that I could live my best feelings while listening to it. I wanted to be a composer like him and compose music that affects people and makes them feel better,” explained the piano genius. Fast forward to the present, he added, “I believe John Williams is the best composer in today’s time and age. His music is breathtaking. He is a wonderful conductor and pianist as well. I learn a lot from him.”
Who are you listening to these days? Johnny Hachem: Brahms, Wagner & Sibelius. This is a brand new year. What hopes and plans do you have? Johnny Hachem: I am composing 3 new pieces for symphony orchestra, Wind Quintet & String Quartet, I hope they will be performed during this year and loved by the audience! Before we go, could you say a few encouraging words for your fans and readers? Johnny Hachem: First, I want to thank you for those deep and interesting questions and for interviewing me! I want to thank all my friends and fans who believed in my talent and encouraged me throughout the years and tell them to believe always in their own taste and never work against their belief!
He not only successfully cultivated his talents and became one of the few names in the industry but also won a music composition award at International Composition Conference in 2009. Then in 2021, he managed to win big at the Classic Pure Vienna International Composition as well. The unparalleled achievements of this artist have no limitations as Johnny has performed as a soloist in various concerts and international festivals in multiple countries such as Ukraine, Lebanon and Switzerland. Apart from that, he has shown what a skilled pianist he is while performing in France, Austria, Germany, England, Spain, Poland, Romania, the Netherlands, Lithuania, Belarus, South Korea, Jordan, Egypt, the United Arab Emirates, Bahrain and Qatar.
Classical music these days more of a sub-niche with rigid frames and for many it is boring and full with repetitions. It is true, even Verdi became quite “pop” in some of his works, not to mention Chopin or Donizetti. Ok, maybe Bartok was a different league and an exception; however, there is a trend to “lighten up” the classical pieces to make it more acceptable for the masses. As a composer and performer, how do you see this, what are your experiences? Johnny HachemJohnny Hachem: I will divide my answer into two parts: First, I believe that people listen to classical music more than ever, but that is through movies and video games, however, most of them don’t like listening to it in a concert hall and that’s because of the strict etiquette rules there; you can’t clap between the movements of the musical piece even if you were very excited, you can’t cough now, you can’t move… in other words, you can’t express your emotions as you do in pop or rock concerts… To tell you the truth, it wasn’t like that before. Joseph Horowitz, in his wonderful new book, Moral Fire, describes audiences “screaming” and “standing on chairs” during classical concerts in the 1890s. The New York Times records an audience that “wept and shouted, strung banners across the orchestra pit over the heads of the audience and flapped unrestrainedly” when listening to their favorite opera singer at the Met in the 1920s. And the strict rules started in 1960.